Booky Awards Winner

Incidentally

by Gill Taggart


BEST TREATMENT OF FREEDOM BOOKY
Incidentally cover

The judge's reasoning


Taggart's project is disarmingly simple and works because she trusts it: take the Bible's second-string cast — Judah, Miriam, Hannah, Saul, even Judas — and let each one narrate their own mess, ending every chapter with the same quiet turn, "Incidentally, He won't give up on you either." That refrain, tied straight to the title, does real structural work — it's the theological spine of the whole book, and by the third or fourth chapter the reader starts anticipating it the way you'd anticipate a chorus.

What lands hardest is her willingness to sit inside genuinely uncomfortable theology rather than smoothing it over. Judah doesn't get a tidy redemption — he's still asking, decades later, "Is that what God is like?" about his sons' deaths, and admits Tamar "was surely more righteous than I." Saul's chapter ends not with despair but with an unresolved question flung at the reader: "Incidentally, I wonder what you think about this?" That's a braver choice than a pat moral, and it's consistent with her stated aim in the introduction — to let scripture's silences be filled with real, conflicted interiority rather than sermon-safe answers.

Hannah's arc — the humiliation by Peninnah, Eli's cruel misreading of her grief ("How long are you going to stay drunk?"), the wrench of actually keeping her vow — gives the book its most emotionally specific stretch, and "I believed I was nothing; He believed I was precious in his sight" earns its place as a genuine thesis statement, not decoration. This is devotional writing doing exactly what it promises for readers who want scripture to feel lived-in rather than recited.

Brooke Hayes

Judged by Brooke Hayes — Reader-at-Large · Cross-Genre · Emerging Voices

"Every book is the only book for somebody."

Supporting passages


Theme & Substance
"I believed I was nothing; He believed I was precious in his sight. Incidentally, you are, too."

The book's recurring closing device, turning each retold story into a direct address that carries its devotional thesis.

Genre Execution
"Samuel was dead, and I had forbidden anyone from contacting the dead. But I was the king, and I was desperate."

Saul's narration stays inside uncomfortable, unresolved theology rather than flattening it into an easy moral, which is the book's real strength as a narrative-sermon collection.

Emotional Resonance
"She had exposed my hypocrisy and my failings in not giving her to my son in marriage. I had behaved badly, and now my daughter-in-law was pregnant with my child—and grandchild. She was surely more righteous than I."

Judah's confession lands because it refuses self-forgiveness even as the narrative moves toward grace.

Per-axis rubric scores


Every Booky-winning book is scored across all ten craft axes. The award is given on the top axis (or top two for premium tiers).

Prose & Style
68
Characterization
74
Dialogue
61
Plot & Structure
75
World-Building
65
Originality
70
Emotional Resonance
76
Theme & Substance AWARDED
82
Genre Execution
80
Marketability & Hook
78

Find out what your book does best.

Submit your book today. Get a real, honest, category-specific Booky — or every dollar back.

Submit Your Book → Screen Another Book